Positive space: "the space taken up with lines, colours, shapes, and forms."(Schirrmacher & Fox, 2009)
Negative space: "The space left between or surrounding subject matter, symbols, or shapes."(Schirrmacher & Fox, 2009)
"Proportion": comparative relation between things or magnitudes as to size, quantity, number, ratio, etc.
I chose the word proportion as another the art word of the week as it is so commonly used by artists to create a piece that is realistic as it is representative of things that we can visually see in our world. We know how big a tree is in proportion to a person or a house. We know how infinite the sky is and how big a grain of sand is in proportion to a mountain.
We often praise artists when they are able to capture the essence of things in real life through detailed techniques that demonstrate the many dimensions of an object or a scene. But what happens when we change the proportions of the objects?
Ever since I studied art and art history throughout high school I have been captivated by the SURREALIST art movement. I admire the work of artists like SALVADOR DALI who can create realism in a bizarre manner by changing the aspects of things which we can relate to in real life. And therefore of course the first thing that I looked for when I entered the museum was the surrealist exhibit. This was the painting that caught my eye once I entered the room. When I read the name of the artist, it immediately made sense to me why I was intrigued by the painting. He was an artist who I studied a few years back, and he is also one of my favourite surrealist painter.
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| René Magritte The Anniversary 1959 |
When I look at this image it gives me a sense of suffocation. The painter created the painting in a manner that seems to include the viewer in the crowded room. There is no space to walk comfortably, and there seems to be little space to breath. There are no doors that are visible in the scene in which the viewer could escape from, and return to the outside world. There are no other sources of light in the room other than the natural lighting coming through the window. Although there is a window, only a portion of the window is allowing the light to shine through as the curtains are blocking the rest of the view. Perhaps the artist wants to bring an environmental issue to attention. It is ironic that the only item in the room is something that is natural which belongs outdoors. This may relate to the technological changes that were occuring in the world during the 1950s in which this painting was created. Perhaps it was a warning, that we should be keeping the things in our world in it's natural setting rather than suffocating them in the unnatural world which we created. By drastically changing the size of the rock, it gives it emphasis in the painting, and simply makes it more OBVIOUS to the viewer that it does not belong-bringing our attention to the problem at hand. This is how I chose to interpret the painting, but of course this may not be the actual meaning behind Magritte's painting.
This is a photo of a water colour painting which I painted a few years back. This painting was inspired by the works of René Magritte, as illustrated through the strange use of proportion. In the image, the one thing that is out of place is the gigantic teddy bear keychain leaning in the crib. The key chain was sort of a keep sake which my aunt mailed to me when I was younger. It is particularly meaningful to me, and I decided to make it the focus of my painting. Although I did not choose to use realism in the way that many surrealist artists did, I did attempt to play with the proportions to bring emphasis to the keep sake.
As an early childhood educator, it is important to allow children to be exposed to many different types of artworks and styles of creating art so that they can learn to have an appreciation for differences, by looking at the pieces that represent different cultures and diversity. It is important that early childhood educators learn how to talk about artwork in terms of their elements when discussing with children, so that it can improve their creative knowledge.
Reference:
Schirrmacher,R., & Fox, J.E. (2009). Art and creative development for young children (6th Ed.). Belmont, CA: Delmar.
